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Zenit 12xp and Beroflex 28/2.8 that I somehow damaged | Kodak ColorPlus 200
It's been six months since I've posted anything on Steemit. I left, discouraged by dropping value of SBD and STEEM, usage of bots and weird tricks in order to maximise rewards while voting or posting, small audience... you know, things that still are huge problem on Steemit and won't change anytime soon. Besides, I didn't have anything to write about.
Yet here I am. With nothing to write about and no passion for Steemit. What do I have to offer, then? At least seven rolls of scanned and developed film. I got hooked on analog photography almost entirely abandoning digital stuff. How and why, this will be explained later on. Stay tuned.
Minęło sześć miesięcy od ostatniego artykułu na Steemicie. Zmęczyły mnie liczne problemy z którymi zmaga się platforma oraz m.in. spadający na łeb, na szyję kurs SBD/STEEM. A jednak znowu jestem. Z kilkoma wywołanymi i zeskanowanymi kliszami. Fotografia analogowa wciągnęła mnie na tyle, że porzuciłem niemal całkowicie fotografię cyfrową. Wyjaśnię kiedy, jak i czemu... w swoim czasie.
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Warsaw, may | Zenit 12xp / Pentacon Auto 50 1.8 / Kodak Ultramax 400
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Poniatowa, end of June | Zenit 12xp / Beroflex 28 2.8 / Kodak Colorplus 200
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Lublin | Zenit 12xp / Carl Zeiss Pancolar 50 1.8 / Kodak Colorplus 200
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Lublin, "Centralna" cafe - I prefer former name: "Szklarnia"('greenhouse') | Zenit 12xp / Carl Zeiss Pancolar 50 1.8 / Kodak Colorplus 200
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somewhere nice at 5 am | Zenit 12xp / Beroflex 28 2.8 / Fujifilm Superia Xtra 400
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Poniatowa | Zenit 12xp / Pentacon Auto 50 1.8 / Fujifilm C200
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picking blueberries | Zenit 12xp / Beroflex 28 2.8 / Kodak Colorplus 200